Editing Audi

Cutting a complex commercial.

Editor Thomas Grove Carter test-drives Final Cut Pro 10.3 to cut a clever Audi commercial called ‘Everyday Extremes’. Read more

Trim Editing

A small shop for the world’s largest clients.

With the flexibility of Final Cut Pro X and the speed of Mac Pro, Trim Editing is able to quickly finesse creative visions for clients. Read more

Focus

A New Take on Feature Post

Directors John Requa and Glenn Ficarra teamed up with editor Jan Kovac to cut their new Will Smith film in Final Cut Pro X. Read more

The E. W. Scripps Company

News Flash

TV editors create compelling local news with stunning 3D graphics using Final Cut Pro X, Motion 5 and Mac Pro. Read more

Azteca

Prime-Time Passion

A Mexican TV broadcaster of hugely popular telenovelas rolls in Final Cut Pro X for faster workflows. Read more

Tsui Hark

Young Detective Dee

Acclaimed director Tsui Hark switches to Final Cut Pro X to edit a much‑anticipated 3D action feature. Read more

The Globe and Mail

Making Video News

Canada’s largest-circulation national newspaper becomes an online video force using Final Cut Pro X. Read more

Full Sail University

Cutting-Edge Curriculum

Full Sail’s state-of-the-art instruction in post‑production techniques and tools features editing in Final Cut Pro X. Read more

Electric Entertainment

Pushing TV Post-Production on Leverage

Using Final Cut Pro X, this Hollywood production company built a faster all‑digital workflow for its hit show Leverage. Read more