Technical Specifications
Minimum
System
Requirements
- Mac computer with an Intel Core 2 Duo processor or better.
- 2GB of RAM (4GB of RAM recommended).
- OpenCL-capable graphics card or
Intel HD Graphics 3000 or later. - 256MB of VRAM (512MB of VRAM recommended).
- Display with 1280-by-768 resolution or higher.
- OS X v10.6.8 or OS X v10.7.2 or later (OS X v10.7.2 or later for broadcast monitoring).
- 2.4GB of disk space.
Application
- Broadcast monitoring of video and audio with third-party PCIe and Thunderbolt I/O devices.1
- 64-bit architecture to take advantage of more than 4GB of RAM.
- Background rendering using GPU and CPU.
- ColorSync-managed colour pipeline.
- High-precision floating-point render in linear-light colour space.
- Uses Grand Central Dispatch to tap into all available processors.
- Full-screen, real-time preview playback of SD, HD, 2K and 4K media on a main screen or an attached LED Cinema Display.
- Customisable keyboard.
- Full Unicode support.
- GPU-accelerated exporting.
- Full-screen view in OS X Lion.
Editing and
Timeline
- Multicam editing with automatic sync and support for mixed formats, mixed frame rates and up to 64 camera angles.
- Magnetic Timeline automatically keeps material in sync, prevents clip collisions and eliminates gaps.
- Clip Connections keep secondary material in place while trimming and moving the Primary Storyline. Choose to hide or display Clip Connections in the timeline.
- Compound Clips allow complex compositions to be simplified into a single clip.
- Auditions combine multiple clips into a single clip so you can see alternative takes, colour grades or effects in context.
- Duplicate a clip inside an Audition to compare different effects on the same clip.
- Edit while importing media in the background.
- View material in Filmstrip or List view with a mini-filmstrip and metadata columns.
- Skimming functionality enables fast viewing of large amounts of material.
- Skimmable projects in Project Library enable viewing before loading.
- Mix frame sizes, frame rates and formats in the same timeline up to 4K in real time.
- Edit at 23.976, 24, 25, 29.97, 30, 50, 59.94 or 60 fps.
- Create the correct project setting with the first edit.
- Insert, Overwrite, Replace, Append and Connect with keystrokes or drag and drop.
- Extend edit to Skimmer position.
- Split edits with J and L cuts in the timeline.
- Top and Tail in a single keystroke for news and documentary editing.
- Direct access to iTunes, iMovie, iPhoto and Aperture through Media Browsers.
- Timeline Index for timeline navigation, and for selecting items based on text searches and other important metadata.
- Position tool for moving and deleting media in the timeline and leaving gaps.
- Clip Markers that include to-do items that can be checked off when tasks are completed.
- Snapping to Playhead, Skimmer, Clips and Markers.
- Replace with Gap.
- Lift from Primary Storyline.
- Create Storyline to consolidate B-roll into a single unit.
- Insert Placeholder.
- Insert Gap.
- Numeric entry of precise clip durations.
- Blade tool for adding edits.
- High-quality, real-time vectorscopes, waveforms and histograms.
- Record Audio tool for adding narration.
- Six Clip Appearance presets for timeline display.
- Multi-Touch gesture support.
- Organise, view, mute and export based on automatically assigned or custom Roles metadata.
- Customise project start time.
Trimming
- Inline Precision Editor allows you to skim media around the edit before trimming.
- Basic timeline trimming.
- Trim tool for advanced timeline trimming functions.
- Ripple and roll.
- Slip and slide.
- Lift and ripple delete.
- Dynamic 2-up trimming with Show Detailed Trimming Feedback enabled.
- Keyboard and numeric moving and trimming.
Effects
- Advanced chroma keying with controls for colour sampling, edge adjustments and light wrap.
- Shared Render Engine with Motion and Compressor.
- Add multiple effects and transitions within a range selection.
- Multistream real-time effects in SD and HD formats.
- Alpha-channel support in real time.
- Integration with Motion for advanced motion graphics work.
- Use ‘Open in Motion’ on any effect,
modify in Motion and save as new in Final Cut Pro. - Numeric and keyframe control for precise animation and effects.
- Copy and paste motion and effect attributes to multiple clips.
- Access music, sound effects, transitions, filters, colour looks and generators through Media Browsers.
- Over 150 advanced 2D and 3D title templates.
- Over 90 high-quality transitions.
- Over 125 sophisticated animation templates with video drop zones created by a top Hollywood effects company.
- Over 110 filters, keys, blurs and colour looks.
- 28 backgrounds, elements, solids and textures.
- Trim, crop and Ken Burns effect.
- Distort tool with keyframes and onscreen controls.
- Transform tool with keyframes and onscreen controls.
- Stabilisation effect in real time after background analysis.
- Rolling Shutter correction to improve DSLR video.
- Spatial Conform to make different aspect ratios fit seamlessly into a project.
- Retime tool for speed changes controlled in the timeline, for entire clips or selected ranges.
- Rewind, Instant Replay and Speed Ramp in a single click.
- Three Retime quality settings: normal, frame blending and optical flow.
- Preserve audio pitch when changing speed.
- Find and Replace Title Text.
- Show Title/Action Safe Zones for positioning titles and effects.
- One-step transitions for Secondary Storylines.
- Conform Speed to change source media frame rate to the project frame rate in one step.
Audio
- Subframe audio keyframing.
- Support for audio samples up to 192kHz.
- Real-time OS X Audio Units and Logic plug-in effects included.
- Support for 64-bit third-party Audio Units plug-ins.
- Keyframable audio levels and effects.
- Adjust audio filters in real time during playback.
- 5.1 surround monitoring and keyframe control for panning.
- Preset animations for 5.1 surround panning such as Back to Front, Rotate, Create Space and more.
- 10- or 31-parameter EQ built into each audio clip.
- Match Audio for smoothing out EQ from different microphones.
- Audio enhancements for volume normalisation, background noise removal, and hum removal for both 50Hz and 60Hz.
- Audio analysis during import option to remove serious background noise and flag medium-level issues for enhancement.
- Over 1,300 royalty-free sound effects included as a separate download.
- Individual audio channel control for enable/disable and configuration.
- Audio skimming with pitch preserved.
- Fade handles at the head and tail of each clip.
- Audio pan controls.
- Disable and solo controls.
- Audio waveform display in viewer and timeline.
- Logarithmic audio fades.
- More than 100 audio filters.
- ‘Show Reference Audio Waveforms’ preference to see original waveform height when adjusting volume in the timeline.
- VU meters that expand as needed.
Colour Correction
- Unique Colour Board with controls for saturation, exposure and colour.
- Match Colour for precise shot matching in one click.
- Balance Colour instantly improves skin tones, removes colour casts, and expands dynamic range of bright and dark regions of the image.
- Keyframable masks with size, rotation and softness adjustments.
- Adjust inside or outside of colour mask.
- Unlimited numbers of colour corrections per shot.
- Save and reuse colour settings presets.
- 20 Colour Board presets.
- Over 20 advanced colour looks in the Effects Browser.
Supported
Formats and I/O2
- Apple ProRes family, a 10-bit, full-width VBR codec that supports all major frame sizes and frame rates from ProRes Proxy to ProRes 4444.
- Resolutions supported up to 4K frame sizes.
- Background transcode original media to ProRes 422 or ProRes Proxy for better performance.
- Create Camera Archives from any media folder for importing into Final Cut Pro.
- Import Camera Archives from third-party video capture cards and software.
- Import from Apple devices including iPhone, iPod touch and iPad 2.
- Import projects and Events from iMovie.
- Sony IMX, XDCAM, XDCAM EX, XDCAM HD and XDCAM HD422 import supported with additional Sony software.
- FireWire device control for streaming capture for tape-based HDV, DV, DVCAM, DVCPRO, DVCPRO 50 and DVCPRO HD.
- Export presets for Apple devices, including Apple TV, iPhone, iPad and Mac.
- Export presets for YouTube, Podcast Producer, Facebook, Vimeo, CNN iReport and email.
- Export and burn DVD, AVCHD disc and Blu-ray disc.3
- Apple-designed menus for DVDs and animated menus for Blu-ray discs.
- Export as Image Sequence.
- Export as HTTP live streaming for Internet streaming to cellular, Wi-Fi and broadband.
- Export to uncompressed 8-bit and 10-bit 4:2:2.
- Export audio as AAC, AC3, AIFF, CAF, MP3 and WAV files.
- Import and edit layered Adobe Photoshop files.
Native editing4 support for:
- H.264 from GoPro and iFrame cameras.
- H.264 from DSLR cameras.
- Broadcast Wave Format.
- DV, DVCAM, DVCPRO, DVCPRO 50 and DVCPRO HD.
- HDV.
- Panasonic AVC-Intra, including AVC-Intra 100 and AVC-Intra 50.
- Sony IMX, XDCAM HD, XDCAM HD422 and XDCAM EX.
- JVC-created XDCAM EX.
- Canon XF MPEG-2 ingest supported with additional software.
- AVCHD, including Panasonic AVCCAM and Sony NXCAM.
- Uncompressed 8- and 10-bit SD and HD.
- Apple Intermediate Codec.
- Still images including PSD, BMP, GIF, RAW, JPEG, PNG, TGA and TIFF.
- Compressed audio including AAC, AIFF, BWF, CAF, MP3, MP4 and WAV.
- XML import and export for collaboration with third-party finishing tools and media asset management systems.
Media
Management
- Media relink to manually connect projects and Events to files that have been moved or modified.
- Content Auto-Analysis attaches useful metadata during import.
- Range-based keywords for creating custom searchable metadata.
- Create Smart Collections for automatically organising clips based on selected criteria.
- Keyword Collection created by importing a folder of media.
- Mark ranges as Favourites or Rejects for sorting and sifting.
- Media management tools for moving and copying media.
- Render file deletion per project.
- Move and Merge Events functions.
- Consolidate Project Media for moving media to another system.
- Extensive search, sort and sift capabilities in the Event Browser.
- Transcode Media function allows a choice between optimising to ProRes 422 or creating ProRes Proxy media in the background while editing.
- Group clips by creation date, date imported, reel, scene, duration or file type.
- Group Events by year, or by year and month.
- Show date ranges in the Event Library.
- Arrange clips by name, take or duration.
- Reveal clip in Finder or Event Browser.
- Custom comment fields.
- Preference for connecting to proxy or original high-resolution media.
- Send-to-Compressor integration.
- Import media and use both Events and projects directly on Xsan.


