Final Cut Studio

Videos

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  Everybody Hates Chris

  Chris Rock's hit television series brings comedy to HD with an all-digital workflow based on Final Cut Pro and Color.

Everybody Hates Chris

Chris Rock's hit television series brings comedy to HD with an all-digital workflow based on Final Cut Pro and Color.

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  Euro RSCG

  Euro RSCG uses Color to achieve a striking new look for Jaguar’s worldwide ad campaign.

Euro RSCG

Euro RSCG uses Color to achieve a striking new look for Jaguar’s worldwide ad campaign.

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  20th Century Fox

  20th Century Fox is implementing an all-digital post-production workflow with HD video at the center. This lets them bring more creative control into the editing room and add quality earlier in the production process.

20th Century Fox

20th Century Fox is implementing an entirely new post-production workflow for feature films, using HD video.

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  @radical.media

  @radical.media is a media company that produces feature films, television programmes and commercials. For a recent project, they used technology to coordinate teams in China, New York and Los Angeles — without skipping a beat.

@radical.media

By automating the production pipeline, a media company seamlessly connects team members all over the world.

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  Full Sail University

  Students at Full Sail University pursue a passion for working in the film and video industry. They gain a competitive edge by learning to use the same tools they’re expected to use in the professional world.

Full Sail University

Full Sail University is training the next generation of filmmakers on the same tools they’ll use after graduation.

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  Coen Brothers

  For Joel and Ethan Coen, colour grading is a creative tool — like music — that helps them shape the character of a film. Digital colour grading allows them to begin adjusting colour with the very first shots.

Coen Brothers

The Coen brothers discuss the importance of colour grading in creating the distinctive look of their films.

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  BBC

  The BBC is at the forefront of the digital production revolution. As these visionaries move to a fully tapeless infrastructure, they are implementing a “creative desktop” that lets them put the focus on talent, not technology.

BBC

The BBC continues to lead the digital production revolution by moving to a fully tapeless “creative desktop”.

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  Miranda July

  Independent filmmaker Miranda July is able to express her creativity in the edit room without being hindered by the technical process. The freedom to experiment allows her to shape her story as she works.

Miranda July

An independent filmmaker edits a feature film with complete freedom to experiment as she works.