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Scripps Networks

Scripps Networks: DIY By Design

TV networks tend to deal in drama, action and mayhem. Scripps Networks has a different approach. “We’re about food and shelter,” says Peter Franks, director of design and motion services for Scripps Productions — a part of Scripps Networks, which owns HGTV, Food Network, DIY Network, FINE LIVING TV NETWORK and Great American Country (GAC). “We’re about providing information — from how-to home improvement projects to recipes to vacation planning. All that information is reinforced by our graphics. And those graphics must be clear and concise without distracting our viewers from the content.”

To create those graphics, the Scripps design team uses Macs running Final Cut Studio, QuickTime Pro, Cinema 4D, Adobe After Effects, Adobe Illustrator and Adobe Photoshop. “We have more than 70 Mac workstations at Scripps Networks for print, video and Web design,” says Franks. “We do all the graphics, soup-to-nuts, on the Macs.” That includes capturing and editing video footage with Final Cut Pro.

“We’re not trained video editors,” he says. “But Final Cut is so intuitive and so easy to use that we don’t need specialized training in the software. We can teach ourselves to do anything we need. It’s just simple for artists to get. That’s one of the strengths of Final Cut.”

Good Build

Building a smooth art department isn’t that different from building a finely finished deck. You need the right tools, teamwork and good plans. Franks’ Knoxville, Tenn. workshop is crammed with tools and great teams. It also has a strategic layout that lets the artists work quickly through projects to meet production deadlines. “Each of the brands (networks) has its own graphics group,” says Franks. HGTV, DIY and FINE LIVING operate out of Knoxville. Food Network cooks it up in New York and Great American Country jams in Nashville.

The Knoxville design teams receive footage from in-house film crews or out-of-house production companies. Then they add the graphics. “Besides being good content, it has to be interesting to watch,” says Franks. “That’s the real challenge for us — creating informational and entertaining graphics.” That includes everything from lower thirds to full-screen graphics. The teams use Adobe Photoshop and Illustrator to create storyboards, and After Effects to build visual animatics. Then they use Adobe After Effects, Photoshop, Cinema 4D and Final Cut Pro to make the final graphics.

Scripps camera crews shoot on Sony HDCAM 1080i whenever possible, but the design team gets a variety of footage from outside sources, from D-Beta to Panasonic VariCam HD. “Final Cut is a life saver for us when it comes to dealing with footage,” Says Franks. “If we have to capture from D-Beta or 1080i high definition or any other format, all we have to do is switch those settings in Final Cut and we can work with almost any format we need to.”

The finished product is either uploaded to the Xsan via fibre or offloaded to a FireWire drive. “The Xsan is our hub,” he says. “We store all our graphic elements from start to finish in either SD or HD on the Xsan.”

Solid Bond

The Scripps design crew used to shuttle its media around on CD’s, DVD’s and videotape. “It was the sneaker net,” Says Franks. “It wasn’t very efficient and we decided that we needed a central server for all our graphic elements. We went with Xserves and Xsan, all connected with fibre channel so we can stream real-time SD and HD video to our workstations. Currently, there are 23 Mac workstations with direct fibre attached storage to the Xsan. Engineering and IT maintains the network, but it really runs itself. It’s extremely reliable and we rarely have any problems with it. I tell everyone, ‘Don’t be afraid to put your graphics on the Xsan. It’s safer sitting on the Xsan than it is sitting on your local hard drive.’”

 

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