of the most popular codecs in professional post‑production. The ProRes family of video codecs has made it both possible and affordable to edit full‑frame, 1...
https://www.apple.com/jp/final-cut-pro/docs/Apple_ProRes.pdf
Transcode RED RAW Files to Optimized or Proxy Media (Optional) 6 Edit in Final Cut Pro and Export XML 7 Color Grade in DaVinci Resolve and Export XML 8 Expo...
https://www.apple.com/jp/final-cut-pro/docs/RED_Workflows_with_Final_Cut_Pro_X.pdf
Just as different image and video codecs must make tradeoffs between compression rate, quality, and complexity, demosaicing algorithms must make tradeoffs b...
https://www.apple.com/jp/final-cut-pro/docs/Apple_ProRes_RAW.pdf
Reference Display Technologies 9 .................................................................... Display Characteristics 10。
https://www.apple.com/jp/pro-display-xdr/pdf/Pro_Display_White_Paper_Feb_2020.pdf