of the RED® family of cameras (www.red.com), Final Cut Pro editors have been looking for proven workflows with REDCODE® RAW files. This white paper outlines...

https://www.apple.com/jp/final-cut-pro/docs/RED_Workflows_with_Final_Cut_Pro_X.pdf

, quality, and ease of use that ProRes has brought to conventional video, in a format ideal for high-dynamic-range (HDR) content creation in Final Cut Pro. ...

https://www.apple.com/jp/final-cut-pro/docs/Apple_ProRes_RAW.pdf