consist of an array of millions of light-sensitive elements called photosites that convert the light exposed to the sensor to an array of digital intensity ...
https://www.apple.com/jp/final-cut-pro/docs/Apple_ProRes_RAW.pdf
Transcode RED RAW Files to Optimized or Proxy Media (Optional) 6 Edit in Final Cut Pro and Export XML 7 Color Grade in DaVinci Resolve and Export XML 8 Expo...
https://www.apple.com/jp/final-cut-pro/docs/RED_Workflows_with_Final_Cut_Pro_X.pdf
display over one billion colors, compared to 16 million in standard dynamic range (SDR). If you have an HDR video source file and Dolby Vision metadata, Com...
https://www.apple.com/jp/final-cut-pro/docs/iTunes_Store_Package.pdf
in exactly the right place. This maximizes your computer’s screen real estate and makes editing on laptops much more efficient. Each role has a unique color...
used across multiple episodes, and less commonly across multiple seasons as the characters and story lines may change too dramatically. • An ad campaign: Wh...
https://www.apple.com/jp/final-cut-pro/docs/Media_Management.pdf
is encoded and decoded independently of any other frame. This technique provides the greatest editing performance and flexibility. A variety of cameras can ...
https://www.apple.com/jp/final-cut-pro/docs/Apple_ProRes.pdf