Focus

A New Take on Feature Post

Directors John Requa and Glenn Ficarra teamed with editor Jan Kovac to cut their new Will Smith film in Final Cut Pro X.Read more

The E. W. Scripps Company

News Flash

TV editors create compelling local news with stunning 3D graphics using Final Cut Pro X, Motion 5, and Mac Pro. Read more

Azteca

Prime-Time Passion

Mexican TV broadcaster of hugely popular telenovelas rolls in Final Cut Pro X for faster workflow. Read more

Tsui Hark

Young Detective Dee

Acclaimed director Tsui Hark switches to Final Cut Pro X to edit a much‑anticipated 3D action feature. Read more

The Globe and Mail

Making Video News

Canada’s largest‑circulation national newspaper becomes an online video force using Final Cut Pro X. Read more

Full Sail University

Cutting-Edge Curriculum

Full Sail’s state‑of‑the‑art instruction in post techniques and tools features editing in Final Cut Pro X. Read more

@radical.media

Change Agents

A major post‑production house switches its entire New York City facility to Final Cut Pro X. Read more

Electric Entertainment

Pushing TV Post on Leverage

Using Final Cut Pro X, this Hollywood production company built a faster all‑digital workflow for its hit show Leverage. Read more

Knut Hake

Editing Danni Lowinski

The flexibility of Final Cut Pro X lets editor Knut Hake cut a top German TV show in two cities with unprecedented efficiency. Read more